A bibliography of criticism on JCO’s famous story.
Joyce Carol Oates’s prize-winning story “Where Are You Going, Where Have You Been?” takes up troubling subjects that continue to occupy her in her fiction: the romantic longings and limited […]
Laura Dern is so dazzlingly right as “my” Connie that I may come to think I modeled the fictitious girl on her, in the way that writers frequently delude themselves about motions of causality.
Connie is always at the mercy of men who will come with a vehicle to take her away, to take her somewhere else. Women have no agency, no vehicle, no wheels. It’s not coincidental that Arnold Friend’s golden convertible is part of his magic.
A wildly inventive new collection of stories by Joyce Carol Oates that charts the surprising ways in which the world we think we know can unexpectedly reveal its darker contours. […]
Quickly Mr. Clovis said, in his most tender voice, “I don’t think that’s a wise idea, Rita Mae. You’ll just get your dear friend in trouble if you put her up to such a thing. Violet’s mother loves her, just as I love you and your brothers and sisters. You can’t just steal away a girl from her own mother.”
Who would have thought that Muhammad Ali’s defiant repudiation of American foreign policy, in the mid-1960s considered virtually traitorous by some observers, would come to be, in the decade to follow, a widespread and altogether respectable political position?
SMILE of course I was, I had always already begun SMILE yes certianly SMILE I laughed breathless I was plead- ing SMILE struck like paralysis SMILE! SMILE! as the darts […]
These are striking creations inside plexiglass boxes that merit close, sympathetic scrutiny in the way that the most subtle of poems and dreams merit our scrupulous attention.
“This is the season when the husbands lie in their hemp-woven hammocks for the last time …” Hear Joyce Carol Oates read the brief poem in The New Yorker.
Joyce Carol Oates reviews Edna O’Brien’s novel The Little Red Chairs in the New York Times Book Review
“Why do we write?” With this question, Joyce Carol Oates begins an imaginative exploration of the writing life, and all its attendant anxieties, joys, and futilities, in this collection of seminal essays and criticism.
Oates writes from the frontier of integration, where race is all but tells us so much less than we might assume, imply or assert. Black Girl/White Girl is the third novel in which Oates plays variations on the psychologically complex themes of interwoven class and ethnic conflict.
Any landscape of Hanson’s at which we look, however initially attractive, will soon yield its terrible secret—one need only look more closely. “Wilderness to Wasteland,” David T. Hanson’s striking and […]
On the occasion of Harper Lee’s death, Joyce Carol Oates considers her “astonishing” story via Twitter.
In this collection of twenty-one unforgettable stories, Joyce Carol Oates explores the mysterious private lives of men and women with vivid, unsparing precision and sympathy. By turns interlocutor and interpreter, […]