Ten suspenseful stories explore with chilling accuracy the ways in which evil enters our lives: In “Hi! Howya Doin!” an intrusive jogger meets with an abrupt fate; in “The Man […]
MARRIAGES AND INFIDELITIES is Joyce Carol Oates’s fourth volume of short stories. In this collection, Miss Oates, who has been called “the best young novelist in the United States today,”* […]
An incomparable master storyteller in all forms, in The Corn Maiden and Other Nightmares Joyce Carol Oates spins six imaginative tales of suspense. “The Corn Maiden” is the gut-wrenching story of Marissa, […]
As Edgar Allan Poe’s “The Tell-Tale Heart” surely contains the most frightening monologue in our literature, so Joyce Carol Oates’s most famous short story—”Where Are You Going, Where Have You Been?”—contains its most frightening dialogue.
I believe these things are true about Dylan, as they are true about any genius: 1. He is unstoppable. 2. “He” is both an individual and a medium, a process by which […]
A bibliography of criticism on JCO’s famous story.
Joyce Carol Oates’s prize-winning story “Where Are You Going, Where Have You Been?” takes up troubling subjects that continue to occupy her in her fiction: the romantic longings and limited […]
Laura Dern is so dazzlingly right as “my” Connie that I may come to think I modeled the fictitious girl on her, in the way that writers frequently delude themselves about motions of causality.
Connie is always at the mercy of men who will come with a vehicle to take her away, to take her somewhere else. Women have no agency, no vehicle, no wheels. It’s not coincidental that Arnold Friend’s golden convertible is part of his magic.
A wildly inventive new collection of stories by Joyce Carol Oates that charts the surprising ways in which the world we think we know can unexpectedly reveal its darker contours. […]
Quickly Mr. Clovis said, in his most tender voice, “I don’t think that’s a wise idea, Rita Mae. You’ll just get your dear friend in trouble if you put her up to such a thing. Violet’s mother loves her, just as I love you and your brothers and sisters. You can’t just steal away a girl from her own mother.”
Who would have thought that Muhammad Ali’s defiant repudiation of American foreign policy, in the mid-1960s considered virtually traitorous by some observers, would come to be, in the decade to follow, a widespread and altogether respectable political position?
SMILE of course I was, I had always already begun SMILE yes certianly SMILE I laughed breathless I was plead- ing SMILE struck like paralysis SMILE! SMILE! as the darts […]
These are striking creations inside plexiglass boxes that merit close, sympathetic scrutiny in the way that the most subtle of poems and dreams merit our scrupulous attention.
“This is the season when the husbands lie in their hemp-woven hammocks for the last time …” Hear Joyce Carol Oates read the brief poem in The New Yorker.
Joyce Carol Oates reviews Edna O’Brien’s novel The Little Red Chairs in the New York Times Book Review