Double Trouble
A Joyce Carol Oates omnibus celebrating 40 years of Rosamond Smith suspense novels, reprinting two complete novels along with two uncollected short stories.
A Joyce Carol Oates Patchwork
A Joyce Carol Oates omnibus celebrating 40 years of Rosamond Smith suspense novels, reprinting two complete novels along with two uncollected short stories.
Oates owns the realm of genre-fluid fiction that focuses on the physical and psychological vulnerabilities of young women. Her latest foray explores the disturbing and chilling milieu of pedophilia from the viewpoints of predator and prey, protector and victim, exposing how easily people can be misled and the devastating consequences of misplaced trust. Menacing, mesmerizing, and thoroughly provocative. —Carol Haggas, Booklist
“The proximity of love and hate—or at least attraction and violence—animate most of the tales, each a compact gem of unease.”
In Oates’ dreamlike, utterly convincing world, the strong brutalize the weak simply because they can. And the weak? They succumb or they get strong and start hunting for prey of their own. No mere victim, Josie learns about willpower and choice. What she does with her newfound strengths makes “First Love” a weirdly beautiful gothic tale of survival and transcendence. — Judith Wynn
From one of our most accomplished storytellers, an extraordinary and arresting novel about a women’s asylum in the 19th century, and a terrifying doctor who wants to change the world.
In this generous selection of Joyce Carol Oates’s letters to her biographer and friend Greg Johnson, readers will discover a never-before-seen dimension of her phenomenal talent.
The stories not only bleed across the categorical boundaries they have been assigned, but also expand the scope of what is terrifying about the body—living or dead, human or nonhuman—in the first place.
“Pushing things to extremes is Oates’ literary modus operandi, especially when it comes to the myriad betrayals of the mind and body. In her latest collection of macabre short stories, she extends the traditions of Edgar Allan Poe and Shirley Jackson in her own unique arias performed by characters assailed by mental illness and intent on destruction…. High-pitched, unnerving, and incisive.”
Mysteries of Winterthurn is a work of haunting intensity, brilliantly conceived and executed, a terrifying portrait of a fallen world. And yet, as one senses the presence of light in the empirical datum of darkness, this phenomenology of the demonic hints at a mysterious presence of quite another kind, the ultimate paradox that shatters all finite categories of reason.
Oates paints a dark vision of America as a land where love of money is the root of everything and people are doomed to repeat their crimes. Oates, who rarely falters throughout this epic, does offer glimmers of justice and hope. But ultimately she has written an American tragedy.
So much more than the kind of standard-issue unreliable narrator, Georgene is a vastly complex character whose every word, every use of parentheses and italics, must be examined closely for intent. A thematically and stylistically ambitious novel that displays the author’s literary gifts to their maximum effect.
Oates paints an unflinching portrait of 1970s upper-middle-class America, touching on issues of racism, classism, and institutional abuse while exploring society’s tendency to value women solely in relation to the role they fill—be it wife, mother, or sexual object. A searing work of slow-burning domestic noir.
Oates typically leads her readers to focus on one plot element, while subtly rearranging the emotional landscape, leaving them in exhilaratingly uncharted territory. Spanning the first 30 years of Oates’s writing career, these stories aren’t for the faint of heart, but they’re a joy for anyone who appreciates the work of a master storyteller.
The six stories in the collection show Oates’ mastery of the form, across grisly body horror, experimental reflection, deep character study and sharp revenge fantasy. Across widely varying tone, from black comedy to utterly chilling, Oates is a writer utterly in command of her voice.
The stories comprising Night, Neon showcase Oates’ mastery of the suspense story―and her relentless use of the form to conduct unapologetically honest explorations of American identity.
“Breathe” is a fever dream of a novel, and it’s as an allegory of grief that it most sparkles.